Clark, Roland 
ORCID: 0000-0003-3292-282X
(2013)
COLLECTIVE SINGING IN ROMANIAN FASCISM.
CULTURAL & SOCIAL HISTORY, 10 (2).
pp. 251-271.
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Abstract
The Romanian fascist group known as the Legion of the Archangel Michael, or the Iron Guard, made extensive use of collective singing to articulate its ideology and to create a sense of group unity. This article examines legionary music and the contexts in which legionaries sang to show how fascist social movements used culture to mobilize people behind their cause. Fascist music initially drew on folk roots as well as a genre of patriotic anthems learned in school and in the army. Once the Legion became stronger and more self-confident, these songs developed into a unique fascist style written by professional poets and composers. © The Social History Society 2013.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | Romania, fascism, music, singing, violence, Corneliu Zelea Codreanu, Iron Guard, Legion of the Archangel Michael |
| Subjects: | ?? DR ?? |
| Depositing User: | Symplectic Admin |
| Date Deposited: | 26 Jan 2016 17:01 |
| Last Modified: | 24 Jan 2023 19:23 |
| DOI: | 10.2752/147800413X13591373275367 |
| Related URLs: | |
| URI: | https://livrepository.liverpool.ac.uk/id/eprint/2048772 |
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