Smith, KM 
ORCID: 0000-0001-7414-9180
(2016)
Music—Psychoanalysis—Musicology.
In:
Music-Psychoanalysis-Musicology.
Routledge,Oxford, pp. 66-83.
ISBN 9781472485830
![[img]](https://livrepository.liverpool.ac.uk/style/images/fileicons/text.png) |
Text
Smith Psychodynamics FINAL.docx - Unspecified Download (61kB) |
|
Text
Smith bibliography FINAL.docx - Unspecified Download (21kB) |
![[img]](https://livrepository.liverpool.ac.uk/style/images/fileicons/archive.png) |
Archive
Figs and Exs.zip - Unspecified Download (1MB) |
Abstract
Forgotten is the fact that Brian Hyer’s 1989 dissertation, so key to the renaissance of Hugo Riemann, had a Lacanian foundation. Building on this, Kenneth M. Smith re-evaluates tonal Riemannian ‘function’ as a linguistic unconscious flow that Lacan mapped as metaphor and metonymy, crucial to a subject’s formation. Aligned with Freud’s condensation and displacement, these two axes equate with chord substitution and combination, the former a primarily octatonic minor third transaction and the latter a discharge along the cycle of fifths and hexatonic major third progression. The author consolidates his findings by returning to the Prelude of Wagner’s Tristan and Isolde.
| Item Type: | Book Section |
|---|---|
| Depositing User: | Symplectic Admin |
| Date Deposited: | 10 Nov 2016 15:32 |
| Last Modified: | 19 Jan 2023 07:27 |
| DOI: | 10.4324/9781315596563 |
| Related URLs: | |
| URI: | https://livrepository.liverpool.ac.uk/id/eprint/3004033 |
Dimensions
Dimensions
