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Number of items: 6.


Tessler, Holly ORCID: 0000-0001-6455-9733
(2016) Back In Black: Re-Thinking Core Competencies of The Recorded Music Sector. In: Business Innovation and Disruption in the Music Industries. Edward Elgar Publishing,Northampton, Massachusetts, pp. 33-52. ISBN 978-1783478149, 1783478144


Tessler, Holly ORCID: 0000-0001-6455-9733 and Forbes, Kenneth
(2018) Digital Piracy, New Media and Consumer Choice. In: Digital Piracy: A Global, Multidisciplinary Account. Routledge. ISBN 9781138067400


Tessler, Holly ORCID: 0000-0001-6455-9733 and Long, Paul
(2022) Introduction. Journal of Beatles Studies, 2022 (Autumn). pp. 1-2.


Tessler, Holly ORCID: 0000-0001-6455-9733
(2021) Introduction: Why is everything curated these days? Examining the work of popular music curation. Popular Music History, 13 (1-2). pp. 5-17.


Tessler, Holly ORCID: 0000-0001-6455-9733
(2018) Lost in The Supermarket?: the evolving role of popular music and popular music products in the Immersive economy. In: Creative Industries Global Conference : Libro de Actas/Proceeding Book. University of Alicante,Alicante, Spain, pp. 41-47. ISBN 9788461793877


Bin Muhid, Syamsul Hirdi
(2022) Popular music careers: Arguing contemporary strategy for the hybridised but disempowered Akademi Fantasia musicians in the Malaysian music industry. PhD thesis, University of Liverpool.

This list was generated on Sun Feb 4 09:57:13 2024 GMT.