Smith, KM ORCID: 0000-0001-7414-9180
(2016)
Music—Psychoanalysis—Musicology.
In:
Music-Psychoanalysis-Musicology.
Routledge,Oxford, pp. 66-83.
ISBN 9781472485830
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Abstract
Forgotten is the fact that Brian Hyer’s 1989 dissertation, so key to the renaissance of Hugo Riemann, had a Lacanian foundation. Building on this, Kenneth M. Smith re-evaluates tonal Riemannian ‘function’ as a linguistic unconscious flow that Lacan mapped as metaphor and metonymy, crucial to a subject’s formation. Aligned with Freud’s condensation and displacement, these two axes equate with chord substitution and combination, the former a primarily octatonic minor third transaction and the latter a discharge along the cycle of fifths and hexatonic major third progression. The author consolidates his findings by returning to the Prelude of Wagner’s Tristan and Isolde.
Item Type: | Book Section |
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Depositing User: | Symplectic Admin |
Date Deposited: | 10 Nov 2016 15:32 |
Last Modified: | 19 Jan 2023 07:27 |
DOI: | 10.4324/9781315596563 |
Related URLs: | |
URI: | https://livrepository.liverpool.ac.uk/id/eprint/3004033 |